His shots balance the characters, who are not that colorful, with settings that include beautiful awnings, elaborate houses, luscious picnics, and, of course, wonderful costumes.
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You have to hand it to Ridley Scott, born 1937, for one thing at least: he knows how to make a movie look great. It says something about how this movie cost $4 million, starred Pacino, Greta Gerwig, Dianne Wiest, Charles Grodin, Dylan Baker, and many others, and only made $400,000. There are some good exchanges and quiet scenes in this movie along with a few comedic ones that fall flat and are so obvious, we wonder who was laughing behind the camera. What does an entire relationship sort of at the center of this film mean anyway? What purpose does it serve on its own terms? It's about an ageing actor.but the central throughline, idea, and purpose are elusive here until the very end. We can see how Philip Roth's novel spoke to Al Pacino and Barry Levinson. Soderbergh also clearly knows how phones are used by everyday people, and uses it skillfully here every step of the way. That character, played by Claire Foy in a pitch-perfect performance, takes us into a netherworld and leads us to a satisfying, ambiguous, yet clear conclusion.
The mistaken identity (Is he who he says he is, or not?) has been done before, but here it's grounded in the main character's psychology. Steven Soderbergh, in one of his best films in years, has his actors play to the camera only so much. Structure is so crucial in a thriller that the fact this was shot on an iPhone is almost beside the point. Then there are the images that haunt us for days. Those elements, deployed at a methodical pace, is the mark of solid storytelling. What it adapts successfully from the novel is combining worlds and ideas. No, there's no real dramatic pull the world provides that. Here the filmmakers have their actors flat to go with stark production design and images. Anthony Hopkins may not hit all his marks he seems to still be finding his way in terms of helplessness as an actor, but he provides an insecure center for everything else. Even if we piece the story together, we're still not sure just how powerful the paranormal conscience and actions are. They understand the power of suggestion, what's barely in the frame implying what's just outside of it.
The sheer fact that writer William Goldman and director Richard Attenborough, who went on to make much larger-scaled films, explain so little says a lot. Scott Von Doviak: Charlesgate Confidential Pilar Alessandra: The Coffee Break Screenwriter Kathie Fong-Yoneda: Still rockin' with Rocaberti et al. Judith Weston: The 25th Anniversary EditionĬlaire Elizabeth Terry: Rocaberti Rockin' Julie Salamon: The Devil's Candy Revisited It's unlikely that she would have taken that first step towards empowerment without Holland.Margaret Kerrison: Immersive StorytellingĬhristopher Riley: The Hollywood Standard
But there are only fifty states, and it takes an extraordinary amount of drive to become governor of one of them. Almost every high school has an alumnus who has achieved something in art or entertainment, but a lot of people sell one painting or appear in one film and become a hero to their home town. They also exist to give young people an opportunity for change and growth, even if they never use a paintbrush again.
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Art, music and theater education don't exist solely to create professional artists, musicians and actors. 3) She wasn't "wasting" Holland's efforts by going into politics. Thirty years later she's the governor (not the mayor!), because in 1966, Holland helped her gain confidence for the first time. Did no one else hear her speech about "I just wanted to be good at *something*"? She listed all the fabulous achievements of her parents and siblings, and concluded, "I'm the only one who's." The missing word would have been "useless" or "worthless". 2) Her goal was not to be a professional musician. Then she could, and did, perform in the band without dragging down the whole ensemble. The idea was to get her just above the level of making a fool of herself as she did the first time he called on her in class. They both knew that she didn't sound professional, and wasn't going to. 1) "Playing the sunset" was Holland's way of getting Gertrude to relax so she could play the notes fluidly.
So many people have complained about the Gertrude Lang character (Alicia Witt), Holland's interaction with her, and the purpose of the character, and I am simply amazed at the hostility.